TELL US MORE: Shreyas Shibulal '15
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Alena Smith ’02 created an imaginative AppleTV+ show about the poet Emily Dickinson that is no period piece.
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Since December 2019, Indya Kincannon ’93 has been running Tennessee's third-largest city.
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The disruptions wrought by COVID-19 brought unbudgeted expenses in the millions. Alumni, parents, and friends are helping to ensure the College can keep delivering on its mission and values.
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Working in the ultimate multidisciplinary field, alumni architects are creating compelling— and innovative—buildings and environments.
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With the environment in crisis, are there individual and collective actions that can make a difference? Our experts offer their thoughts.
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How did musical legend Sun Ra come to play a solo concert in Roberts Hall on a Fender Rhodes electric piano borrowed from a Haverford student and memorialized in a new archival Bandcamp recording?
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The canine buddies of faculty and staff are a regular—and beloved— presence on campus.
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Head coach Bruce Berque ’88 led the University of Texas men’s tennis team to the program’s first national championship.
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Boyce Upholt ’06 recounts a perilous trip atop a record-breaking flood—and an attempt to understand what we’ve done to America’s iconic river.
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Jen Maranzano ’94 details her journey to run a marathon in a time that would qualify her for the Olympic trials years after her time as a member of Haverford’s cross-country and track and field teams.
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In his new documentary, He Dreams of Giants, Keith Fulton ’88 continues an exploration into the psyche of ex-Monty Python-er Terry Gilliam that began with his 2002 film festival hit Lost in La Mancha.
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Ahead of its series finale, Assistant Professor of Philosophy Qrescent Mali Mason discusses how NBC comedy The Good Place offers lessons in ethics along with the laughs.
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Mary Ceruti ’87 is prioritizing accessibility in art as the new executive director at the Walker Art Center in Minneapolis, Minnesota
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The band, which is composed of Jay Carlis ’99, Mike Kay ’00, and Josh Meyer ’98, released a new EP that combines a lighthearted rock sound with politically charged lyrics.