For the second straight year, the Black Students’ League Fashion Show drew a large crowd to the VCAM for a multifaceted artistic exploration of black experience and identity.
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The films in the eighth year of this series engage with the politics of place, race, history, performance, and cinema itself.
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A new multi-media exhibition in the VCAM’s Lower Create Space brings together three artists’ work exploring tropical island imagery and its connection with colonialism and empire.
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A new on-campus exhibit celebrates the photos and ephemera of Southern California’s Latinx youth culture chronicled by Guadalupe Rosales’ Instagram accounts.
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During the end of the semester at Haverford, many musical groups, from the curricular to the extracurricular, showcase the breadth and depth of musical talent on campus.
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This course, which falls at the crossroads of English, visual studies, and comparative literature, explores the central role of film in imagining decolonization and desire as entangled narratives in the Third World.
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The biology major combined her passion for drawing comics and experience in science with an exhibition of autobiographical comics in the Marian E. Koshland Integrated Natural Sciences Center (KINSC).
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Students in Kimiko Suzuki’s “Advanced Japanese” course took their learning beyond the classroom by collaborating with Philadelphia artists to produce the dyed textiles on display in VCAM.
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A multimedia exhibition curated by three Haverford students in the VCAM builds on their summer work on oral history and public art.
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The Viceland executive producer, most known for his work on the docuseries “My House,” visited campus to discuss the show.
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Prototype, a Pittsburgh-based feminist maker collective, illuminated conversations about accessibility and identity in the Maker Arts Space during their visit to campus.
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A new exhibit, coordinated in collaboration with the Equal Justice Initiative and the Brooklyn Museum with support from Google, presents EJI’s groundbreaking research into the history of lynchings and connects it to digital media, documentary film, contemporary artworks, and archival materials.
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The Haverford Fine Arts Department recently unveiled a new photography exhibit featuring photographs of the late culinary icon.
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Ainsley Bruton ’21 explores identity and transformation through a portraiture series that features several of her Haverford classmates.
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From exploring Asian/American identities to the ethics of AI, this year’s two John B. Hurford ’60 Center for the Arts and Humanities student seminars are spurring interdisciplinary conversations about our world today.