March 18–April 23, 2022: Curated by Sally Berger, Performing Past-Present: Transforming Reenactment features work by four contemporary artists—Sharon Hayes, Jennifer Karady, Dread Scott, and Marisa Williamson—who re-present historical issues, art, and events using conceptual, theoretical, and performance methodologies.
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John B. Hurford '60Center for the Arts and Humanities
News & Events
The Cantor Fitzgerald Gallery and Gross McCleaf Gallery presents Weather Report, a two-part exhibition of new paintings by Ying Li, the Phlyssa Koshland Professor of Fine Arts at Haverford College.
One of three Hurford Center creative interns, Otterbein is spending the summer as a programs intern for Abortion Access Front and creating a zine designed to educate the College community.
Please join us in welcoming Zainab Saleh, who will serve as the Huford Center's Koshland Director for the next three years!
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Strange Truth 2022 explores the non-fiction imagination in the films of Vivian Kleiman, CJ Hunt, Darcy McKinnon, and Marlon Riggs.
All events are free and open to the public and will be held at Bryn Mawr Film Institute or Haverford College’s VCAM building. Each will be followed by conversations with the artists.
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Thursday, March 24, 2022, World Cafe Live: Organized by Philadelphia comedian Moses the Comic and Haverford College professor of religion Guangtian Ha, The Muslim Kings of Comedy is a groundbreaking show with a lineup featuring the top international Muslim comedians in the halal industry: Preacher Moss, Omar Regan, Azeem Muhammad, and Moses The Comic. Tickets are $25-$30 and can be purchased directly from the World Cafe Live website.
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HCAH and VCAM in partnership with the Asian American Documentary Network (A-DOC) invite applications for the position of Impact Lab Coordinator for the Summer 2022 DocuLab project, “Haverford A-DOC Impact Lab.” Deadline: Noon, Feb. 17, 2022.
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This anthropology course explores human attempts to extend sensory capacities through robots, sensors, nonhuman animals, and plants, considering how colonialism, race, disability, gender, and surveillance shape the desire to sense beyond the human.