April 16 - 20, 2025 Curated by the students of VIST250: Theory and Practice of Exhibition: Blanca Berger Sollod, Sofia Bolanos, Julia Browning, Sally Crandall, Mary-Grace Culbertson, Lucy Frank, Xintong Han, Helena He, Samantha Kopkowski, Vita Meng, Jadyn Patrick, and Leyla Richter-Munger.
With Noon to Noon, seniors Emmett Huiskamp and Ellie Baron turn finals week into a performance art piece.
Bringing together a range of Restorative Justice (RJ) practitioners from across the Philadelphia region, the 2025 Mellon symposium explores where restorative justice comes from (its roots), how it has been developing in our city (its branches), and what it might look like in the future (its seeds), all in the hopes of clarifying what alternatives RJ makes possible.
Jan 24 – Mar 7, 2025 Gary Kuehn: In Situ, curated by Sid Sachs, marks one of the largest survey exhibitions in the United States of the renowned American sculptor. Showcasing a range of works by the artist, In Situ sites the work of Kuehn in its rightful place at the center of postminimalist sculpture.
Strange Truth 2025 explores the non-fiction imagination in films by Carmen Oquendo-Villar, Marjorie Vecchio, and Julio López Fernández.
The $360,000 grant from The Pew Center for Arts & Heritage supports “LOOK HERE,” a project that includes multiple exhibitions, a publication, and a symposium focused on the work of neurodivergent artists.
In The Ghosts of History, Magnum photographer Moises Saman commemorates the twentieth anniversary of the US-led invasion of Iraq by exploring the construction of competing narratives of war through the interaction of images and language.
The Cantor Fitzgerald Gallery and Gross McCleaf Gallery presents Weather Report, a two-part exhibition of new paintings by Ying Li, the Phlyssa Koshland Professor of Fine Arts at Haverford College.
*We have a very tiny magic 8 ball.