Since 2011 College Communications has produced a unique homepage each weekday to spotlight the rich diversity of Haverford's academic programming, extracurricular offerings, campus culture, and community members' accomplishments.
Through October 12, 2018
Cantor Fitzgerald Gallery
In the exhibition Invitation to Paradise, Hee Sook Kim, with her eye for beauty, fills the canvas with motifs from Korean folk paintings and, thus, invites the viewers into a meditative healing space. Details »
Paradise Between 8 (detail), 2016, oil, acrylic, rhinestones on canvas.
Artist’s Talk & Opening Reception
Friday, September 7, 2018
4:30—7:30 p.m.
Cantor Fitzgerald Gallery
In the exhibition Invitation to Paradise, Hee Sook Kim, with her eye for beauty, fills the canvas with motifs from Korean folk paintings and, thus, invites the viewers into a meditative healing space. Details »
Paradise Between 8 (detail), 2016, oil, acrylic, rhinestones on canvas.
Through September 30, 2018
Atrium Gallery, Marshall Fine Arts Center
The exhibit Lee Friedlander: The American Monument Photographs features images of monuments noble and idiosyncratic made throughout America. Details »
Lee Friedlander, Father Duffy. Times Square, New York.
Through September 30, 2018
Atrium Gallery, Marshall Fine Art Center
The exhibit, Lee Friedlander: The American Monument Photographs, features images of monuments noble and idiosyncratic made throughout America. Details »
Lee Friedlander, Father Duffy. Times Square, New York.
June 2–September 30, 2018
Atrium Gallery, Marshall Fine Art Center
The exhibit, Lee Friedlander: The American Monument Photographs, features images of monuments noble and idiosyncratic made throughout America. Details »
Lee Friedlander, Father Duffy. Times Square, New York.
Closes April 27, 2018
Cantor Fitzgerald Gallery
Resisting the historical definition of melancholy as an affliction that creates disorder or inactivity, this exhibition reimagines passive sadness as powerful refusal, a conscious (or unconscious) “standing aside,” a willful production of generative failures and resistant potencies. Details »
Noa Giniger, The Sorrow the Joy Brings, collage from steel engraving (Napoleons Grab, 1838), 2012. 16.5 x 21 cm. (publication detail). Courtesy of the artist.
Through April 29, 2018
Atrium Gallery, Marshall Fine Arts Center
A diverse group of photographers, photographs, and processes from the Daguerreian era (1839 to 1855) to today’s digital era take viewers on a tour of color photography’s history, demonstrating how color photography has grown to become the norm when it was once the exception. Details »
Jack Whinery, Homesteader and His Family, Pie Town, New Mexico, October 1940 [1940 (printed ca. 1985)], Russel Lee, dye transfer print on paper.
March 23—April 27, 2018
Cantor Fitzgerald Gallery
Resisting the historical definition of melancholy as an affliction that creates disorder or inactivity, this exhibition reimagines passive sadness as powerful refusal, a conscious (or unconscious) “standing aside,” a willful production of generative failures and resistant potencies. Details »
Noa Giniger, The Sorrow the Joy Brings, collage from steel engraving (Napoleons Grab, 1838), 2012. 16.5 x 21 cm. (publication detail). Courtesy of the artist.
Through April 29, 2018
Atrium Gallery, Marshall Fine Arts Center
A diverse group of photographers, photographs, and processes from the Daguerreian era (1839 to 1855) to today’s digital era take viewers on a tour of color photography’s history, demonstrating how color photography has grown to become the norm when it was once the exception. Details »
Jack Whinery, Homesteader and His Family, Pie Town, New Mexico, October 1940 [1940 (printed ca. 1985)], Russel Lee, dye transfer print on paper.
Through March 9, 2018
Cantor Fitzgerald Gallery
Drawing on the photographic archives of the Museum of Ethnography in Stockholm, Jacqueline Hoàng Nguyễn's exhibition turns the ethnographic gaze onto itself, reflecting upon the administration of racialized labor for transporting artifacts from across the world to the collections of European museums. Details »
Detail from The Administration, 2016 Inkjet prints on archival paper. Courtesy the artist and Museum of Ethnography, Stockholm.
*We have a very tiny magic 8 ball.